|
Edvardson,
Cordelia. Burned Child Seeks the Fire: A Memoir.
Translated by Joel Agee. Boston: Beacon Press, 1997.
Hardcover, 128 pp. ISBN: 0-807-07094-7
Cordelia
Edvardson blurs binaries in her writing: terror can
feel inevitable, pride close to self-loathing, hunger
brings weakness that is half resignation. In Burned
Child Seeks the Fire - a new English translation of
her 1984 memoir - Edvardson details her experiences
as a child and adolescent of Jewish heritage in wartime
Berlin and Auschwitz. Her brief chapters map strong,
conflicted images and urgent relationships: the excitement
of being caught and whirled around at a party; a stepfather
whose anger both shelters and injures; a mother the
narrator remembers as vivid yet ambivalent, a journalist
whose postwar descriptions of Auschwitz are unrecognizable
to her grown daughter.
Raised
as a Catholic in Berlin, made to wear the Judenstern
and removed from her more socially acceptable, "Aryan"
parents to live in seclusion with other Jews and later
deported, at age 14, to Auschwitz-Birkenau, the girl
Edvardson evokes in fierce and thoughtful prose is a
real child. She wets her pants in fear but is inspired
in school by a young female Nazi recruit. At Auschwitz,
she comes to recognize that the strange, sweet smell
that hovers over the concentration camp is connected
with the piles of emaciated bodies outside the barracks.
Living with death, forming uneasy ties with other inmates,
Cordelia stays alive in part through her awareness of
the importance of not seeming to submit: "The girl
knew what to do: stand up straight, look him in the
eye, show that you're strong and willing to work!"
(81-82).
Shifting
in time between Cordelia's pre-war young girlhood and
her experience as a prisoner with numbers tatooed on
her arm, moving to her conflicted rescue and "salvation"
in Sweden at the war's end and her finding of a spiritual
home in Israel, this memoir holds you with its evocation
of all that is wrong, yet strangely goes on. It is about
a child's tenacity and a life changed by persecution
and terror, a glimpse of a girl and woman whose "life
is burst and splintered" (89), who also can shout:
"`I am here!'" (90).
Jennifer
Love
Department of English, UNR
|
|