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Emma
Sepúlveda. We, Chile: Personal Testimonies of
the Chilean Arpilleristas. Washington, DC: Azul Editions,
1996; 191 pp. Paper $15.95. Available at local book
stores.
In
a now-famous poem of the 1930s, "Questions
of a Reading Worker," the German poet Bertolt Brecht
wonders if history is really only made by big
guys such by generals, chief architects, emperors,
kings and land lords? Or is it made by the little
guysÄ the tailors, bakers, craftsmen and
cooks? Did only the big guys achieve glory
or did not the little guys, too, offer their
talents, achievements, and sacrifices for the good of
their countries?
One is reminded of Brechts questions when reading
Emma Sepúlvedas recent book of oral histories
and testimonials of eight Chilean women. The women represent
the little guys - the seamstresses, peasant
women, farm workers, domestic servants and union organizers.
They share a common history insofar as their loved ones
- be it their husbands, brothers or sons - were arrested
in the aftermath of the 1973 overthrow of the democratically-elected
government of Salvador Allende. The voices of these
eight women stand for thousands of women of the "Disappeared"
in Chile and Argentina. At first, the women went from
prison to prison to find out about the fate of their
men. They talked among each other and sometimes even
to members of the international press. Then, many women
across the country started meeting in churches and in
social halls to tell their stories in a different way.
Out
of the material of their childrens dresses, aprons
and pants, pieces of lace, embroidery yarn, buttons
and unraveled wool, these women create small pieces
of tapestry about the size of college note pads. The
arpilleras tell the stories of their villages being
raided by police, of their loved ones being arrested,
of their children crying for food, of women dancing
alone because their husbands disappeared, and of their
hopes for justice in spite of it. While they work on
the arpilleras, many of the women have a photograph
of their missing relative pinned to their chests. It
is as if their voices having chanted for justice in
the village squares or on the city plazas have turned
inward. The silence of needles stitching, sewing, embroidering
and crocheting seemed to carry over the voices yelling
and screaming.
Over
the years during her many trips to Chile, Emma Sepúlveda
recorded the words of these women and photographed the
arpilleristas during their work in Santiago. Often,
for security reasons, she did not take pictures of the
womens faces but instead pictured their hands
collectively creating tapestries of life and of hope.
Listening to the womens voices one hears the conviction
of the materially poor but spiritually rich. Lack of
formal education is no barrier to their being able to
articulate eloquently their visions for a democratic
Chile. "Individuals must unite in a collective
effort so that humans may eternally live free,"
says Gala Torres Aravena. A nobility of spirit shines
through these testimonies and the women are determined
to persist even at great personal loss. "We let
pass the opportunity to find a husband, the love of
a man, and the chance to have our own family,"
says Victoria Díaz Caro. "I would have liked
to have been a mother, I would have liked to do so many
things, but I always felt my duty was to give my life
to rediscover the path to liberty, not only for me but
for all people."
These
women stand up, as Nelson Mandela once said, in the
"path of tyranny and injustice without seeking
selfish gain." The women are representatives of
the little guys who show the way to social
justice in Chile. Emma Sepúlveda - who among
many things is also a professor of Spanish at the University
of Nevada, Reno and a member of our board of directors
- wrote a poem to honor those who stood up and who perished.
The poem is taken from her book Tiempo cómplice
del tiempo published in Spain in 1989 and it so
eloquently concludes this important and impressive volume.
It entreats us to read these testimonies, so that we,
too, never forget that genocides kill real people.
No, no they are not numbers
they
are not numbers
they
are names.
("We,
Chile" p. 187)
Viktoria
Hertling
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